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By Britton Perelman
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By Britton Perelman
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Screenwriting, Movies, Movie/TV Essays Britton Perelman 6/14/21 Screenwriting, Movies, Movie/TV Essays Britton Perelman 6/14/21

One Amazing Storytelling Technique You Can Learn from In the Heights

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Movie/TV Essays Britton Perelman 12/30/18 Movie/TV Essays Britton Perelman 12/30/18

We Clapped: Or How I Learned to Stop Hating and Appreciate Applause at the Movies

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Screenwriting, Movie/TV Essays Britton Perelman 10/1/18 Screenwriting, Movie/TV Essays Britton Perelman 10/1/18

Why Your Story’s Twist Should Be So Good They Won’t Show It In The Trailer

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Movie/TV Essays Britton Perelman 6/4/18 Movie/TV Essays Britton Perelman 6/4/18

“Tully” and the Power of Perspective

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Movie/TV Essays Britton Perelman 5/8/18 Movie/TV Essays Britton Perelman 5/8/18

The Key to a Series of Unfortunate Adaptations

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Movie/TV Essays Britton Perelman 2/12/18 Movie/TV Essays Britton Perelman 2/12/18

Finding Joy in the Greatest Show

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Movie/TV Essays Britton Perelman 2/9/18 Movie/TV Essays Britton Perelman 2/9/18

Why the Ambiguous Ending of "Three Billboards" Works

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Movie/TV Essays Britton Perelman 11/29/17 Movie/TV Essays Britton Perelman 11/29/17

Deconstructing the Mystery of the Orient Express

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Characters, Screenwriting, Movie/TV Essays, Feature Writing Britton Perelman 11/6/17 Characters, Screenwriting, Movie/TV Essays, Feature Writing Britton Perelman 11/6/17

The Trick to Getting Ensemble Movies Right

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Movie/TV Essays, Entertainment Industry Britton Perelman 10/25/17 Movie/TV Essays, Entertainment Industry Britton Perelman 10/25/17

When Summer Blockbusters Make You Think

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Theme, Television, Movie/TV Essays Britton Perelman 10/10/17 Theme, Television, Movie/TV Essays Britton Perelman 10/10/17

The Issue of White Hats: "Scandal" and What a TV Show is Really About

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Movies, Movie/TV Essays Britton Perelman 7/5/17 Movies, Movie/TV Essays Britton Perelman 7/5/17

Wonder Woman and the Triumph of a Consistent Superhero

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